LONDON'S BURNING @artichoketrust, Da Vinci @ScienceMuseum, and the Summer Pavilion @serpentine @eyreart

Friday, 9 September 2016

The dominoes skittling down the streets that burnt in the Fire of London coincided with the last day of Sugar and Spice.   I sat with artist Susan Eyre whose partner was involved in the setting them up.  We were invigilating on the last day of SS and we talked about her fascination with dark matter and the fall out from the referendum. It was really interesting and I'd love to hear more about her collaboration with research scientists, and hopefully see some of the work that gets produced.

A more ancient example of the overlap between art and science can be seen at the Science Museum, where in a rather small space they have packed an information dense exhibition about Leonardo and his designs.  Dont miss the timeline at the start which places this work in its historical context.  This complements very well the more comprehensive exhibition in Amboise near Tours which was where Leonardo spent his last few years.  If you can't get to Amboise I recommend you rush to the Science museum before this exhibition closes on Sunday...be quick.

Last weekend a huge  fire burnt on the barge in the Thames, and all this week Radio 4 has been playing Samuel Pepys. A memorial for the fire of London.  A reminder of another time when Britain suffered great divisions in society.  The lovely thing about the project run by Artichoke arts within this context, was that it was all about collaboration and social bonding.  An idea so  pertinent to this time. Can this be a phoenix moment?  At least this fire was not deadly, it was beautiful.  And a part of me found it moving in a melancholic kind of way.  Collaboration on the production of something beautiful and still beautiful as it all went up in flames, ephemeral.
Phoenix egg

So Sugar and Spice is over and all taken down, some of the work has another destination which has been confirmed but delayed, so is now blocking up my living room, over crowding it, I'm going to have to find it a better temporary home.  My work in Sugar and Spice documented the way in  which the legal abolition of slavery in Britain was a growing likelihood at the time of  the building of the Telford design in St Katharine Docks. It  asked several questions - about people as commodities, about whether the design was influenced by the growing likelihood of abolition, about whether the design was a negative response to more organised labour- simply a way of saving money, or inspired by better ideas about what it means to be human?

 I have just been  watcing BBC 3's "Making a Slave" on i-player.  13000 or more people are living in slavery in Britain now and this programme gives a glimpse into the way in which people are kept under control, so that you don't need to ask the question how could that happen now, here.  It illustrates how.  People are still treated as  commodities in some farms factories and building sites across the country.  Every now and again this makes the news:- When an enormous tragedy like the cockle pickers happens.  But for 13000 it is an enormous tradgedy every day, and these numbers are believed to be an underestimate by some experts.

SO here it is, slavery may be illegal, and some people at least do escape, but it is happening here and now. The programme is based around the testimony of an ex-slave, a modern day Olaudah Equiano, who had his true identity disguised, presumably out of fear of recriminations.

By comparison 13000 is just under  the population of  Ringwood, the next town to Fordingbridge  where I grew up. It is more than twice the population of Fordingbridge, my home town. If a whole small UK rural town had been taken over by gangmasters think of the scandal, the newspaper coverage, the 10 o'clock news...and yet that is effectively what has happened, it is just hidden, more dispersed,  and the people affected are mostly new to Britain.  The Somerset case was in 1772, which set legal precident,  found that no one could be held a slave here.  And it was the also true then that the person about whom the ruling was made was not born here, he was in fact trafficked.  It is not that the legislation does not exist, it is that we are not implementing it properly as a society.

When the food or clothes you buy seem impossibly cheap, or the quote for the build excessively low we should think again. When the manufactured product says Made in Britain, that is not a guarantee that the people making it have been treated fairly and paid at least minimum wage.  When we are encouraged to further "free up" the work force from the "strictures" of regulation, think 1984 doublespeak. Casual labour practices and hiring by the day are the gangmasters bread and butter.

What is clear is that our systems are failing.  13000 is alot of people.

So to finish up the holidays we took a trip to the The Summer Pavilion at The Serpentine. Even on  a hot day it feels somehow like entering a glacier.  The curve created with the geometrical shapes quite astounding. The day we visited was hot, and yet still this resonance.  I love the way the cubes created windows through which to view the children playing in the park outside. Another thing to catch before summer finally disappears and the real ice comes.


Fulham piece : Hot weather helps speed along the new piece #70things #wetbankholiday

Sunday, 28 August 2016

Happily, given that the deadline is fast approaching the hot weather has speeded up the drying of my surfaces (at least to a workable dry) and I have been able to work on this piece a bit more.  Some of the surface is still wet so there is a waiting game until I can see the working sheen.  May the good weather return, it is a bit wet today....





New Piece for a new show #70things

Friday, 26 August 2016

I am making a new work for a private show I have been invited to put on in an unusual venue. Situated by the river near Fulham Palace I am making one new piece which is site specific to the residential block where the whole show will take place.   The start...


 then adjusted by adding some high gloss media to create more sheen and an area where something has disappeared into the depths


The piece relates to the idea of the Thames as a repository of our history; a grand Lethe running through our centre sweeping things away, sometimes revealing them years later.  Lost passions sometimes rediscovered, embedded in it is the notion of transience and mortality.


This is a work in progress, and I have to get a move on to ensure its not too wet for the opening....  eek.  So I am busy putting together the show, the statement and the price lists. Getting some additional lighting....


For those of you too far away to get the show.....a taster

Wednesday, 24 August 2016

This is some of what you are missing
 My work

 Mary B Eighteen's and Clare Smith's


 Simon Brewster's work
 Russell Coleman's

Jane Walker's

mine


Visual guide to getting to Sugar and Spice www.plasticpropaganda.co.uk @StKats @plasticp1

So yesterday was the first of the "Sugar and Spice" Meet the Artists events, the docks were sunny, the tube was hot, and if you missed this one don't worry, you still have your chance to meet artists and ask any questions you have on Wednesday 31st. Below is the prettiest way to get there.

I met some of the other artists, it was a delight to meet Ros Burgin, Ian Vines  and Justine Johnson properly, to see Clare again and I look forward to meeting some of the others next time.

So the scenic route:
 out of  Tower Hill tube, and through the tunnel

turn to the left past the Tower of London, and under Tower Bridge Approach






 at the end of the underpass go right past the big glass building and right again into the dock

  past Cote to your right and Cafe rouge to your left and past Commodity Quay
 turn right at Ivory House and under the arch
  into the prettiest part and turn left
  past White Mulberries
 right over the bridge towards the Dickens Inn  
 turn right next to Mala, 
 and right again going behind the white building

and you are there


If you have difficulties with steps and cobbles or want the shortest route, then the other way to come is by bus to Tower Hill and take the slip road off Tower Bridge Approach. Walk down St Katharine's Way towards the river and turn left at the end by the icecream stall, go through the passage and over the bridge taking the right  fork at the end and then you are there





Sugar and Spice and Southern Light shifting into Northern vasteness

Sunday, 21 August 2016

All the work is delivered and hung and ready to view at Sugar and Spice.  come along and meet the artists on Tuesday 6-8pm.

While down in the Lot on my holidays I learnt about the role of Silk in the medieval arms race.  Did you know that the importation of silk in the middle ages improved the functioning of the longbow?  When silk replaced a wool twine which had been used for the bow the silk did not stretch in the rain, given that this was a British bow that is a big advantage.  In addition it was used to tie the feathers on the arrows more effectively too. To find out more about the influence of commodities and their import on culture come along to Sugar and Spice.


In the rural south at night, when the sun went down there was something so gorgeous and velvety about the truely dark night, where the newly cropped fields were black washed with yellow and the forest retained the tinest hint of green until it all becomes a solid black and only the stars shone... or sometimes the windows....



Sugar and Spice www.plasticpropaganda.co.uk, @plasticp1, @plasticpropaganda, @stkats @wappinglondon @cityoflondon

Thursday, 18 August 2016

Yesterday the sun shine was on my side as I added the last coat of paint to my plinth for Mr Equines scales, so now just a last check of the transparencies and it is ready, along with two paintings to wrap to make it along for the Saturday hanging.
Mr Equiano's Scales
repurposed objects,gold leaf, transparencies
2016

I am really excited to be showing in this exhibition which deals with our relationships to commodities and trade, I have had some sneak previews of other works on show which look  fantastic.
Last of the 10
oil and indigo on canvas
100x100cm
2016
My work is concerned with the hidden and exposed  narratives of slavery and how they were bound up with  progressive changes in our society and some late developments in the British legal system related to abolition.  They ask questions about whose stories get heard in culture and  historical dialogues....  How at times artists have preserved stories: Turner and his depiction of the Zong massacre....
Resistance
oil and indigo on canvas
100x100cm
2016
and how  stories are sometimes lost.